Donde Viven los Toros (Where the Bulls Live) explores the quiet dignity of rural life through gestural sumi ink. Influenced by the visual language of Picasso’s La Tauromaquia, this piece shifts away from violence and myth, choosing instead to honour stillness, coexistence, and care.
Where the traditional bullfight places the animal in a narrative of conquest, this scene captures what happens when there is no audience, only figures who know the land, and bulls who belong to it.
The composition favours silhouettes over spectacle, rhythm over chaos. Three figures stand with four bulls, not to control them, but to share space. The result is a portrait of presence without performance. No metaphor. No matador. Just the ones who stayed.